David Anderson was born in Lincoln, Nebraska, in 1943 and was raised there. At age seventeen, he showed his photographic work to Alfred Einsenstaedt at Life Magazine, who encouraged him to begin his career at the New York Daily News. After serving in the U.S. Army as a cameraman, including duty in Vietnam, from 1969 to 1983 he was a cinematographer based in New York City who specialized in commercials and documentaries. He also photographed two independent films directed by artist Nancy Graves, including Isy Boukir (1971), which was acquired for the collection of films at the Museum of Modern Art. Since 1983 he has worked as an architectural photographer and is represented by the Yancey Richardson Gallery, of New York City. His photographs are in numerous public and corporate collections, including American Airlines, AT&T, the Brooklyn Museum, the Canadian Centre for Architecture in Montréal, Citicorp, Deutsche Bank, Equitable Life Assurance Society, the Library of Congress, the Museum of the City of New York, Santa Barbara Museum of Art, and the Sheldon Memorial Art Gallery at the University of Nebraska in Lincoln, among others. After living in New York City for fifty years, Mr. Anderson moved in 2010 to the Hudson River valley of New York.
PAUL GOLDBERGER began his career as the executive editor of Architectural Digest. He then worked for twenty-five years at The New York Times, where in 1984 he won the Pulitzer Prize for his architectural criticism. He also has been the architecture critic for The New Yorker since 1997 and in 2004 became Dean of the Parsons School of Design at the New School University in New York City. He is the author of Why Architecture Matters (Yale, 2009), Up from Zero: Politics, Architecture, and the Rebuilding of New York (Random House, 2004), One the Rise: Architecture and Design in a Post-Modern Age (Times Books, 1983), The Skyscraper (Knopf, 1982), and The City Observed?New York: A Guide to the Architecture of Manhattan (Random House, 1979), among others.