Wolfe von Lenkiewicz

Richard Dyer, Edward Lucie-Smith

This is the first major monograph on one of Britain's most dynamic artists, Wolfe von Lenkiewicz. His striking paintings and drawings mine the hallowed halls of art history and popular culture in search of visual languages, imagery, themes, and motifs that he can appropriate, adapt, use, and abuse, bringing together different movements, genres, per
Date Published :
October 2015
Publisher :
Anomie Publishing
Language:
English
Illustration :
150 color and b/w illustrations
Format Available    QuantityPrice
Hardback
ISBN : 9781910221099
Pages : 236
Dimensions : 12.5 X 10.5 inches
-
+
In stock
$70.00

Overview
-

This is the first major monograph on the work of one of Britain’s most dynamic artists, Wolfe von Lenkiewicz. His striking paintings and drawings mine the hallowed halls of art history and popular culture in search of visual languages, imagery, themes, and motifs that he can appropriate, adapt, use, and abuse, bringing together different movements, genres, periods, and styles in dialogues that are surprising, innovative, and sometimes provocative.

Lenkiewicz’s imagination and energy seem to be inexhaustible, concocting endless amazing hybrids such as iconic Renaissance paintings invaded by characters from nineteenth-century Japanese woodblocks, French Revolutionary masterpieces spliced with German Romanticism, or Cubism infiltrated by Victorian children’s illustration. The result is a peculiar and fantastical cast of characters and scenarios, whether Nazi soldiers trampling through the snow towards a crashed UFO in the middle of a village scene by Pieter Bruegel the Elder, Snow White making an uncomfortable guest appearance in an already troubling Balthus interior, or a guillotined head assuming a cameo role in an otherwise serene still life.

These painterly chimera are cultural mash-ups. Sometimes irreverent, sometimes witty, other times simply beautiful, odd, and arresting amalgams, they are always poignant, pertinent, and decidedly thought-provoking, inviting the viewer to think across time, cultures, countries, and ideologies about the many languages of art. In the process, Lenkiewicz has established his own distinctive oeuvre, one that perhaps perfectly illustrates the notion of post-modernity within painting – an oeuvre of juxtapositions and non-sequiturs, binary oppositions and the uncanny, ruptures and elisions, the real and the irrational. As well as often encouraging us to look at the history of art with fresh eyes, Lenkiewicz’s practice asks about visual culture today, about how our understanding of the past rests on shifting sands.

With an introduction by distinguished art critic Edward Lucie-Smith and a major new essay by writer and editor Richard Dyer, this beautifully designed and produced hardback book presents an impressive selection of works produced by the artist between 2009 and 2015.

Born in 1966 and based in London, Lenkiewicz is of German and Polish descent; he studied philosophy at York University, graduating in 1990. He is the son of the late painter Robert Lenkiewicz and great grandson of Baron von Schlossberg, court painter to King Ludwig II of Bavaria, the Swan King.

About The Author
-

Richard Dyer is Editor in Chief of Third Text, the international scholarly journal, which offers critical perspectives on contemporary art and culture. He is also Art Editor of Wasafiri literary magazine and a Contributing Editor to Ambit literary magazine.

Edward Lucie-Smith is an internationally known art critic and historian based in London. He has authored close to two hundred books, including many titles on contemporary art such as 'Movements in Art since 1945', 'Visual Arts in the 20th Century', and 'Art Today'.

More from this publisher